Recent Work By Myron Gilbert

Again, from that sketchbook I recently unearthed and opened. These drawing are of the same person but in very different styles. The point is that, as I see it, the model or the object of a work is merely a starting point. Call it an inspiration if you like but the trick is to fashion something from reality. I am not interested in reproducing reality. That’s for the camera in the hands of a robot. My goal is to create something that is visually interesting, if only to me but also, hopefully, to others as well. On 11 x 14 archival, Aquabee paper.

Again, from that sketchbook I recently unearthed and opened. These drawing are of the same person in two consecutive poses. She was quite still but also conveyed action. That is what I call a first rate model. She picked the poses she wanted. Except to tell them “nothing weird, uncomfortable or unnatural,” I let models figure it out for themselves. They are professionals who know what they are doing. Obviously, she is a large person. She is also quite graceful.  #34 is in crayon; #35 is ink and watercolor. On 11 x 14 archival, Aquabee paper.

Again, from that sketchbook I recently unearthed and opened. The model transfigured. I have no idea why I drew this the way I did. But that’s nothing new. It always starts with the best way to use the space on the white paper or canvas in front of me and the rest happens on its own. Some end OK, others not so much. Is it a matter of “letting the creativity juices flow” or inspiration. That’s all a bunch of crap dreamed up by those who have no idea about creating stuff. It may have been getting late and we were in a rush to get home. Crayon and oil pastel on 11 x 14 archival, Aquabee paper.

Again, from that sketchbook I recently unearthed and opened. These are two models who are rendered in different media and different styles. The intention is to show not only a difference in appearance but also a difference in personality. #28 was not quite as ample size-wise as she is drawing but her personality was certainly ample; brusque and forceful are adjectives that come to mind. I drew her in compressed charcoal and conté stick. #31 was quite self-conscious about posing so I put clothes on her and drew her with a 4B graphite pencil, a medium that is quite sensitive. Both are on 11 x 14 archival, Aquabee paper.

Again, from that sketchbook I recently unearthed and opened. These are drawings of one female model who sat so patiently and who was much at home, or so it seemed with her bulk. Personally, I find drawing what they call “full figure” people over drawing muscular or skinny people. Somehow it is more interesting. On the other hand, their weight-related current or potential health issues is always something on the back of my mind. The style is my usual semi-abstract expressionism. #24, #25, and #26 are crayon drawings. #27 is in compressed and soft charcoal with white chalk highlights. All are on 11 x 14 archival, Aquabee paper.